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▪ SATURATION for more warmth, loudness, subtle to heavy harmonic distortions ▪ Tube saturation effects can be compared to the benefits from tape saturation ▪ SPL modeled plug-in version of a world-class tube effect processor, the TwinTube for saturation and harmonics processing
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And where could the warm, transparent and smooth sound of analog tube and coil filtering make more sense than in DAW productions? Now we can fully transfer those amazing results to the digital domain. The special qualities of the analog TwinTube are in enhancing in fact nearly any signal with the classic analog sound attributes. Our programmers did a great job in creating a very good sounding tube simulation. The TwinTube combines the two main artifacts that can be produced with tubes: harmonics and saturation effects. In this case the TwinTube processor of SPL's RackPack modular system has been the paragon.
SPL DE VERB MAC CODE
An essential mix tool endorsed by the world’s finest professional engineersĪs with all Analog Code plug.ins, the TwinTube plug-in is modeled after an SPL analog hardware processors.Great gate substitute, minimizes mic bleed in seconds.
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SPL DE VERB MAC FULL
While Bass Ranger and Vox Ranger are specialized to process their specific frequency ranges, the Full Ranger complements the specialists with a set of filter bands that covers the whole frequency range.Īn extremely easy to use, powerful set of wonderful sounding EQs. This EQ package provides Bass Ranger, Vox Ranger and Full Ranger. They combine the amazing sound of passive fliters with extremely efficient operation.
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The EQ Ranger plug-ins are based upon the EQ modules for the SPL RackPack series. That way the DrumXchanger can faithfully recognize even the faintest ghost notes - regardless of their dynamic level.Īnalog Code® component modeling, passive circuitry replication, compatible with all major DAWs But when it comes to processing it relies on a unique approach: it uses the Transient Designer technology for sound recognition. The name of the DrumXchanger is self-explanatory: it replaces drum sounds. The Passeq offers for the first time passive filter control possibilities extending throughout the relevant audio frequency rangeΓÇöand that with an unheard of abundance of filter choices. Boost and cut frequencies are NOT identical, thus the resultant 72 frequencies per channel offer an enormous choice for the most elaborate EQ curves. In contrast, the Passeq has 12 switchable frequencies per band, totaling 36 boost and 36 cut frequencies. This EQ sported two frequency bands (low and high frequencies, or LF and HF), and had only a few switchable frequencies to offer. One famous, if not the most famous, passive design was the Pulteq EQ from the decades of the 1950ΓÇÖs and 60ΓÇÖs. The original Passeq hardware is the first passive EQ which provides three separate frequency ranges for both boost and cut stages.
SPL DE VERB MAC MAC
SPL Complete v.1.3.1 AU VST VST3 RTAS TDM (update) Mac Intel | 140MB SPL Complete v.1.3.1 AU VST VST3 RTAS TDM (update) Mac Intel